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A secret army, a war without end–and a journalist determined to uncover the truth: That’s the story of the film Dirty Wars and it’s out now on DVD– it’s about JEREMY SCAHILL, he’s National Security correspondent for The Nation magazine. Now the film is shortlisted for an Oscar nomination for best documentary. We’ll feature interviews with director RICHARD ROWLEY, and with Jeremy Scahill-– he wrote the bestseller Blackwater, and has reported from Afghanistan, Iraq, Somalia, Yemen and elsewhere. “Dirty Wars” is our featured thank-you gift in the KPFK fund drive–please pledge during the show: 818-985-5735.
Plus: There’s a new Jimi Hendrix book that’s just been published, one nobody thought was possible – Starting at Zero: His own story, “a posthumous memoir,” assembled from Jimi’s writings and diaries by ALAN DOUGLAS and colleagues. We’ll speak with Alan –he’s best known for producing many of the posthumous Jimi Hendrix releases – and he was also a close friend of Jimi’s.
LISTEN online
Also: In the Coen Brothers’ new film,
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WHO KILLED JFK? Joe Kennedy did it — because the kid had gone liberal on him. It’s my favorite Kennedy assassination conspiracy theory, and it’s presented in a wonderful novel, Winter Kills, by Richard Condon. Condon is best known as the author of The Manchurian Candidate . . .
LISTEN online 
LISTEN online
I haven’t read all 1,000 JFK assassination books, but I do have five favorites: at TheNation.com:
LISTEN online
Also: a memoir of Polish-Jewish reconciliation:
Plus: JOHNNY CASH: the unvarnished truth about “the man in black,” a musical genius who was humbled by addicition. 
Also:
It’s not hard to understand what Bill Ayers and his friends in the Weather Underground were thinking in the early 1970s, when they made plans to bomb the Capitol and other sites. The Vietnam War was raging, Nixon was president. The American people were so distracted by the media, or blinded by ideology, or bought off by consumerism that they would never wake up; except, that is, for Bill Ayers and his friends. They saw what was going on. . . . ”
