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Activists are already moving ‘from outrage to action’ in fighting the Supreme Court’s awful decision demolishing the Voting Rights Act of 1965; ARI BERMAN will explain the new strategies, starting with legal challenge to new voting restrictions through preliminary injunctions. Ari writes for The Nation and is an Investigative Journalism Fellow at The Nation Institute. He is now working on a history of voting rights.
Plus: Yesterday was the confirmation hearing for Obama’s nominee to be the next director of the FBI, James Comey – we’ll have analysis from RICK PERLSTEIN, who will comment not only on what Comey said, but what he should have been asked about what he’s done.
Also: The summer of 1964: that was Mississippi Freedom Summer, the tuirning point in the Vietnam War, the passage of the Civil Rights Act, the Republican convention nominating Barry Goldwater—and a magnificent new song, “Dancing in the Street” by Martha and the Vandellas. MARK KURLANSKYwill explain what different people understood when they heard “summer’s here and the time is right.” His new book is Ready for a Brand New Beat.
LISTEN online
LISTEN online
Plus: The greatest generation? After the WWII Normandy invasion, after the heroism and sacrifice, American GIs’ violent sexual assaults on French women horrified the French.
Fifty years ago — on June 25, 1963 — Federico Fellini’s 8 1/2 had its US premiere in New York City. It’s a transparently autobiographical film about a world famous director unable to finish his next film, beset by doubts, anxieties, and nightmares. As the film opens, our hero Guido, Fellini’s alter ego, played by Marcello Mastroianni, faces a dilemma that may be familiar to many: What if your deadline arrived, but you had written nothing? What if people came to hear you, but you had nothing to say? What would happen if you ran out of ideas?
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also: A secret army, a war without end–and a journalist determined to uncover the truth: That’s the story of the film 

Flying into Venice for a long-awaited vacation, the biggest thing we could see from the air was not the Piazza San Marco, or the Doge’s Palace, or the Basilica—the biggest thing in Venice was a cruise ship docked in the passenger port.
In the New York Times Book Review, there was “a mediocrity, and a lack of passion, character and eccentricity, a lack of literary tone itself.”
