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BILL MAHER, host of “Real Time” on HBO, talks about political humor on TV, and what it’s like doing his live stand-up show around the country. We’ll also talk about his interviews with Glenn Greenwald, Julian Assange, and Jimmy Carter.
Plus: Going Clear: Scientology, Hollywood, & the Prison of Belief : LAWRENCE WRIGHT talks about the inner workings of the church.
Also: ERROL MORRIS is the legendary documentary filmmaker whose new film is THE UNKNOWN KNOWN – it’s his debate with Donald Rumsfeld, secretary of defense for George W. Bush and one of the people responsible for our war in Iraq. Errol Morris won an Oscar for his film, The Fog of War, featuring Robert MacNamara and his regret for the war in Vietnam.
The new film is playing in theaters now, and is available as video on demand. WATCH the trailer HERE
Mickey Rooney, who died April 6, had many fans, including 10-year-old Gore Vidal. “What I really wanted to be,” Vidal wrote in his memoir Point to Point Navigation, “was a movie star: specifically, I wanted to be Mickey Rooney.” The inspiration? Not the “Hey kids, let’s put on a show” musicals Rooney made for MGM with Judy Garland—it was his role as Puck in A Midsummer Night’s Dream, directed by Max Reinhardt and released in 1935, when Rooney was 14. “I wanted to play Puck, as he had,” Vidal recalled.
Peter Matthiessen, the legendary writer who died April 5, had one of his most important books withdrawn from publication for seven years as a result of attacks by government officials and the cowardice of his publisher, Viking Penguin.
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Plus: Cesar Chavez: What Happened?
A story about music, politics and the U.S.A.: The song “The House I Live In” as sung by Frank Sinatra — from the Popular Front of the 1940s, to the HUAC investigations of Hollywood, to performances at Nixon and Reagan White House celebrations. Aired on WNYC’s “Fishko Files” 3/27.
Jon Wiener: A lot of what you’ve written celebrates “the golden age of promiscuity” in 1970s New York. That seems at odds with the gay marriage movement today.
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Plus:
Q. There have been something like 14 John Banville novels, books that go in the “literary fiction” section of the bookstore and that win the Man Booker Prize; and as Benjamin Black you have now written eight books, and they go into the “mystery” section. So we have high and low, art and craft, poetry and plot; is that an okay way to talk about Banville and Benjamin Black?
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Also: a story of protest and prison during the Vietnam war: 